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October 18, 2012
Once upon a time I wrote about a gorgeous pair of Alexander McQueen crocodile pumps that were available for something like 90% off. I'd tried them on at the Barneys mothership in Manhattan when they first came out and had been whispering sweet nothings to them in my mind for about a year and a half.
There was only one pair –my size– and instead of buying them –sensitive readers might want to look away now– I blogged them. Someone bought them, and instead of having my beloved McQueens, I had heartburn for a week.
I only mention that most unfortunate event because, in a rare example of learning from my mistakes, I waited to post about the Lux ballet flat from Bloch London until every color in my size had wended their way to my little cottage by the sea.
They might be, and I say this without hyperbole, the most comfortable ballet flats I've ever owned. Most folks, if they know about Bloch at all, know them as manufacturers of dance shoes, so the flats are engineered not just for maximum cuteness, but for flexibility and padding.
They're also a true turnshoe, meaning they're made entirely inside out on the last. There are a whole mess of reasons making turned shoes are both highly desirably and highly inconvenient (read about making pointe shoes in the turnshoe style here) but the only one I care about is the fact you can abuse them much more than a regular welted flat without them abusing you right back.
Fit Note: Bloch as a brand tends to run a little small, but the Lux runs true to size if not a half size large. I cracked a fresh pair right out of the box today and walked along uneven pavement for about an hour with just a little heel irritation.
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