|
December 31, 2012
Petra Haden has been practicing her obsessive take on a-cappella music for the past decade. In the late nineties, she began to record pop songs in which every sound, from percussion to strings, was created by her voice, multi-tracked and layered. Her meticulous, miraculous version of The Who . . . (Subscription required.)
Read entire article on New Yorker Magazine
|
rss
