Culture Articles

WSJ

James Ensor's Macabre Kingdom of Masks

March 20, 2013

James Ensor's nightmarish vision in "Christ's Entry Into Brussels in 1889" was shaped not only by his pessimism but by his critical view of contemporary art. It was a work even his avant-garde cohorts deemed too radical.

Read entire article on WSJ
« Previous Article Next Article »

More From Culture Articles

  • Radiohead, Wayne Newton, Tosh.0 and the paradox of style
  • 'Bob's Burgers' Review: Random Humor
  • Weekend box office: 'True Grit' finally climbs to number one in slow weekend
  • Best of Luxury

    Finding the best in luxury can be a daunting task, which is why we've taken it on for you.
    View All Best of Luxury
    THINGS WE LIKE